Forming in ’94 by Ben Lough (guitar/vocals). Greg Eshman (drums) and Wayne Stokes (bass), the band earned their keep on local stages, managing to pool enough funds to enter Main Street Studios to record a four-song, self-titled demo at the end of ’95.
Though the band’s songcraft was still clearly in it’s infancy, there are glimpses of things to come on the demo, both musically and lyrically. The strongest track of the four was ‘Planet Neptune’ with it’s cosmic overtones – a feature that would become one of the bands’ trademarks.
Taylor encouraged the newly-expanded line-up to re-enter the studios in ’99, during which time they recorded the now-classic Lunar Mountain Sunrise EP. Starting with a droning, rumbling intro, Lunar… shook the Wollongong scene to it’s core. Together with Tumbleweed, Thumlock were announcing to the world that the mediocrity of the industrial city between the mountains and the sea was coming to an end.
Again laced with psychedelic artwork and lyrics influenced by sci-fi writers such as Michael Moorecock and Frank Herbert, Lunar… saw the band hit new stratospheres. Though there are musical references to Blue Cheer, Pink Floyd and Black Sabbath the band also drew inspiration from their surrounding environment. The cover is graced by a large moon-like planet hovering over the escarpment, whilst the title of ‘Jaspers Brush’ is taken from a small town down Berry-way.
Lunar… received rave reviews both here and overseas, and it wasn’t long before the band returned to the studios to record Emerald Liquid Odyssey – their first album-proper. By the time boys emerged, Taylor had established High Beam Music and was ready to launch the career of what was fast becoming Australia’s premier stoner act.
Emerald… featured beautiful artwork by Pauli Brennan depicting a phoenix rising from the surf, and was capitalised upon by Simon Dalla Pozza’s layout resulting in a finely packaged album not expected from a DIY label based in Wollongong’s northern suburbs.
Again, Thumlock had surpassed their own expectations musically, with the album taking a decidedly more high-octane approach without losing it’s sludgey, psychedelic edge. ‘Planet Neptune’ is revived for the first time since their demo days and the opening track ‘Rockin’ Course’ is lifted as a single, getting the band some much needed airplay. ‘Rockin’ Course’, along with crowd favourite ‘Water’ highlighted the bands maturity and – for the first time – their ability to write songs that were less than five minutes in length.
The album was picked up by Beard of Stars for a European release, hit #4 on the Australian Independent Record charts and received Album of the Week in Drum Media. Thumlock were soon invited to share stages with Nebula, Rollins Band and their heroes Hawkwind, as well as contribute ‘Out of Focus’ to a Blue Cheer tribute album that also featured underground legends Pentagram.
As the machine kept rolling so did Thumlock. Touring the country extensively over the next 12 months, the band hardly had time to draw breath before they were back in the studio recording their follow-up album, Sojourns Lucid Magic. Shedding any prog-sentimentalities they may have still held onto during the recording of Emerald…, the songwriting on Sojourns… was even more concise with the lead single ‘Modulator’ falling below the three-minute mark.
The band continued to push Sojourns… locally but it wasn’t long before it became clear that, despite the latest albums’ title, the lucid magic of Thumlock was waning. In 2002, less than 12 months after the release of Sojourns… Thumlock called it a day.
Eshman went on to form the short-lived El Sanchez, whilst the remaining three formed the highly-energized, but equally short-lived ROADS.
These days Eshman resides in Melbourne and occasionally drums for The Hard-Ons and Front End Loader, Lough lives in London, Iacurto performs around Sydney as a singer/songwriter, and Stokes lives on the North Coast of NSW. There has been talk of a reunion, and possible reissues, but realistically that won’t happen unless Lough returns to the country.
1997 – Dripping Silver Heat EP (Download)
1999 – Lunar Mountain Sunrise EP (Download)
2000 – Emerald Liquid Odyssey (Download)
2001 – Rockin’ Course single (Download)
2002 – Sojourns Lucid Magic (Download)
2002 – Modulator single (Download)
* Please note: I’m not satisfied with the quality of the demo rip. I will re-up if I manage to improve on this.
Resources:
Thumlock myspace (featuring unreleased track ‘Silent Bells’)
HellrideMusic.com
StonerRock.co
Howlspace
Thanks to Jeb Taylor and Wayne Stokes for their assistance in preparing this article and for verifying the accuracy.
Anonymous
December 2, 2010
Fabulous article, and great to see Thumlock finally get a web presence deserving of – and showcasing (in words only, but the downloads are a nice touch) – their talents. Thumlock were my fave Oz band in their day and are sorely missed. I spin their EPS/CDs regularly still and to my mind there has not been anything around since in Oz in the same genre that do it as well as Thumlock did. ROADS dismayed with the change in direction. For me, Thumlock filled the void that Tumbleweed left in the late 90's and nothing has come along to step into the shadow of these two bands since they left us.Cheers to Thumlock – great memories and great music.MobyOne, Canberra.